Happy Birthday to my writing blog

This blog about writing is four years old.

Cue: the sound of wild cheering, strains of “Happy Birthday”  and the popping of corks drifting through cyberspace.

[Editors note: corks popping? Why wasn’t I invited??]

Yes folks, this blog about writing is now officially 4 years old today. It has crawled, stumbled and staggered across the pages of literary endeavour over the last four years trying to say something significant – and sometimes just trying to say something.

At times I’ve shared some of my short stories, at other times I’ve published here a few samples of my poetry. Over the last two years I’ve shared my struggles, joys and frustrations while trying to complete my Master of Arts in Creative Writing, including the trials of trying to write a novel for my thesis paper.

This blog continues to grow and prosper – well, grow a little each day. Still waiting for the prosper bit. I try to post every day but often it can be several days between posts as the other demands of my writing life take up time and energy.

Thank you to all of my faithful readers.

Special thanks to all of you who have made the effort to leave a comment. I’d by mighty chuffed if you left a comment wishing the blog a Happy Birthday.

A extra special thanks to my son Sim’ who does all of the background technical stuff keeping this blog going.

Good writing.

How to write a pantoum poem

Yesterday I wrote about how I write poetry.

It’s a simple formula and one that usually works for me. My only regret is that I far too often either don’t have the time to devote to poetry – or I don’t make the time. As a prize winning poet I know I should be writing more.

The regular monthly poetry writers’ group I attend is one thing that keeps me writing poetry on a regular basis. Each month we set a writing challenge for the following meeting. Some of the challenges last year were really inspiring, and hearing everyone’s take on the one challenge is very interesting. The critiquing of each poem is also valuable. There are many benefits to belonging to a writers’ group.

In this coming month we were set the task of writing a pantoum on the theme of obsession. Now, I’ve never written a pantoum and have resisted doing so until now. I thought it was too hard, too complex. I was wrong. A few days ago I managed to write a pantoum called Obsessed by Sonnets. That’s right – I wrote a pantoum about writing sonnets! Go figure.

What is a pantoum?

Good question.

It is a poem of Malay origins and has undergone a few  adaptations on its way into English poetry circles via the French. Essentially it consists of the following:

  1. A set of four lined stanzas (quatrains) – anything from three stanzas and up.
  2. It has a simple abab rhyming pattern throughout.
  3. It is often metred but I believe that this is not a strict rule. However, metred poems always sound wonderful when read aloud.
  4. Lines are repeated in a strict pattern.
  5. Lines 2 and 4 of the each stanza become 1st and 3rd lines of the next stanza. This is repeated throughout the poem until the last stanza.
  6. In the last stanza, the so far unrepeated 1st and 3rd lines of the first stanza become the 2nd and 4th lines – but in reverse order. This means the poem comes full circle and the last line is a repeat of the first line of the poem.  This gives the whole work a very satisfying feel to it.

I’ll now be very brave and publish here a pantoum I wrote this afternoon. Note that a few words here and there have been changed to make grammatical or narrative sense.

What is a pantoum?

A pantoum is challenging to write,
It’s a poem of elegance and grace.
With stanzas of four lines – that’s right –
And a rhyming pattern to face.

It’s a poem of elegance and grace,
With quatrains for stanzas I’m sure,
And a rhyming pattern to face,
Not to mention a message that’s pure.

With quatrains for stanzas I’m sure,
And a metre so regular too,
I won’t mention my message so pure,
For I’m planning to entertain you.

It’s my metre that’s regular too,
With stanzas of four lines – that’s right –
For I’m planning to entertain you
With a pantoum that’s challenging to write.

All rights reserved.
Copyright 2010 Trevor Hampel.

How I write poetry

Writing poetry has been a love of mine from my very early years. I was barely a teenager before I started writing poetry seriously. Back then it was a haphazard affair with no real plan or purpose. Most were scribbled furiously on to any convenient scarp of paper and stored ungraciously in boxes or drawers.

In my 20s I started to be a little more methodical and I started using a manual typewriter to make neat, readable copies of them. These were stored in folders. Fortunately I usually date each poem, so it was relatively easy to store them all in chronological order of composition.

Four decades later it is a different  matter. I am far more deliberate in my approach to writing poetry. Several of the units of course work for my Master of Arts in Creative Writing have involved writing poetry. Being an active member of the university’s writers’ groups has also given a boost to my poetry. Some of the assignments have been very challenging. Before starting the course I had never attempted to write a sonnet, for example. Now I’ve written prize winning sonnets and love the form. In the last few years I also started getting some publishing success with my poetry. It’s early days in my career as a poet, but the signs are encouraging.

How I write a poem

  1. Most of the time I use a pencil. There is something wonderfully tactile about using a pencil on paper. It certainly helps the creative process when writing a poem. By way of contrast I always write prose on the computer keyboard. I can’t ever remember writing a poem on the keyboard.
  2. I usually write the first draft of a new poem in my writing notebook first. This is a spiral bound A5 size notebook with hard covers.
  3. I decide on the topic (unless it has been decided by the writers’ group) and play around with the idea, jotting down a few words, phrases and ideas.
  4. I think about what form the poem should take to be most effective: sonnet, blank verse, haiku and so on. The form often determines the rhyming scheme (if any) and metre that best suits the topic.
  5. I always try to have a strong opening line and will experiment until I can settle on one. The whole poem often grows from that good first line. It sets the tone.
  6. During the writing I will have many false starts, words, phrases and even whole stanzas that never make the final work. My notebook can end up quite a mess, with many sections crossed out, arrows leading everywhere as I rearrange the work.
  7. Reading the poem out aloud is an important part of my method; it has to sound right, and the metre has to work.
  8. After much editing, rewriting and correcting, I finally turn to the computer and compose it on screen. I will try several different formatting ideas before settling on something that looks pleasing to the eye and is easy to read.
  9. I will reread the poem aloud many more times, making minor corrections on screen as needed.
  10. I print out a copy and file it away in a poetry folder. It may be many months before I come back to that poem, do a few more minor alterations and submit it to a publisher.

Good writing.

My latest publishing venture

Now for something a little different.

I’ve had another poem published, this time in a small collection of poems called a chap book. There’s quite a story to this poem being published.

Every month I attend a poetry writers’ group at the university where I have almost completed my Master of Arts in Creative Writing.  Poetry writing has been a love of mine for decades, but it is only now that I’m having some small publication successes. Poetry was a big part of the course and my skills have definitely improved in the last 2 years.

Every month we set a poetry writing challenge for the next meeting. One of the challenges last year was to write a poem on the theme of poverty (the Global Financial Crisis even crept into our little group).  Some of the poems were brilliant and deserved a much wider audience than the group. We decided that this was to be the the first compilation published by the group.

I was nominated to be one of the three editors and I also set up the design of the booklet. We called it Shifting Sands. We had a very successful launch at our monthly meeting last Thursday. Normally we might only have about 5-7 members attend. This time we had 14 people present (including 3 new members) despite at least 3 or our regular attendees being away.

This month our theme was New Year’s Resolutions and the standard was extremely high. As a result we are now planning our next publication.

Good writing.

What I am reading: Seamus Heaney

I always seem to have half a dozen books on the go at the one time.

This has been particularly so over the last year or so during my Master of Arts course. I’ve dipped into many reference books in the course of doing background reading or research for the units of study. Then there are  the books delved into while writing essays, or books needing to be read in preparation for lectures or tutorials. At present I’m still doing background research on my novel set in Nepal. Even though I have written the novel – I’m up to the 6th draft – there still seems to be more research I could be doing.

Then I have the books I’m currently reading for relaxation. These books are very important for a balance in my life. I need to be daily reading books for recreation as well as study or those directly used as research for my novel.

I’m currently reading – and rereading – two slim volumes of poetry written by Irish poet Seamus Heaney, the Nobel Prize winner for literature in 1995. I’m sorry to say that I’ve not read much of his work previously and so I’ve come to his works with great anticipation.

The reason I’m reading his works now goes back several months. A few months ago my daughter led a group of her high school students on a trip to Ireland. Just before leaving she asked me if I wanted her to buy anything while she was there. Without thinking too much I asked her to look out for a good book of Irish poetry. She overwhelmed me with not one, but two books of the poetry of Heaney. I’ve been slowly savouring them ever since she returned home.


  • Heaney, Seamus, 2006, Death of a naturalist, Faber and Faber, London
  • Heaney, Seamus, 1979, Field work, Faber and Faber,  London.