How I write poetry
Writing poetry has been a love of mine from my very early years. I was barely a teenager before I started writing poetry seriously. Back then it was a haphazard affair with no real plan or purpose. Most were scribbled furiously on to any convenient scarp of paper and stored ungraciously in boxes or drawers.
In my 20s I started to be a little more methodical and I started using a manual typewriter to make neat, readable copies of them. These were stored in folders. Fortunately I usually date each poem, so it was relatively easy to store them all in chronological order of composition.
Four decades later it is a different matter. I am far more deliberate in my approach to writing poetry. Several of the units of course work for my Master of Arts in Creative Writing have involved writing poetry. Being an active member of the university’s writers’ groups has also given a boost to my poetry. Some of the assignments have been very challenging. Before starting the course I had never attempted to write a sonnet, for example. Now I’ve written prize winning sonnets and love the form. In the last few years I also started getting some publishing success with my poetry. It’s early days in my career as a poet, but the signs are encouraging.
How I write a poem
- Most of the time I use a pencil. There is something wonderfully tactile about using a pencil on paper. It certainly helps the creative process when writing a poem. By way of contrast I always write prose on the computer keyboard. I can’t ever remember writing a poem on the keyboard.
- I usually write the first draft of a new poem in my writing notebook first. This is a spiral bound A5 size notebook with hard covers.
- I decide on the topic (unless it has been decided by the writers’ group) and play around with the idea, jotting down a few words, phrases and ideas.
- I think about what form the poem should take to be most effective: sonnet, blank verse, haiku and so on. The form often determines the rhyming scheme (if any) and metre that best suits the topic.
- I always try to have a strong opening line and will experiment until I can settle on one. The whole poem often grows from that good first line. It sets the tone.
- During the writing I will have many false starts, words, phrases and even whole stanzas that never make the final work. My notebook can end up quite a mess, with many sections crossed out, arrows leading everywhere as I rearrange the work.
- Reading the poem out aloud is an important part of my method; it has to sound right, and the metre has to work.
- After much editing, rewriting and correcting, I finally turn to the computer and compose it on screen. I will try several different formatting ideas before settling on something that looks pleasing to the eye and is easy to read.
- I will reread the poem aloud many more times, making minor corrections on screen as needed.
- I print out a copy and file it away in a poetry folder. It may be many months before I come back to that poem, do a few more minor alterations and submit it to a publisher.
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