Writing a novel – a writer’s journal part 14: Progress on my novel
Progress on the novel
Yesterday I had a great day of writing progress. I achieved over 3200 words including 1160 words on my novel for children. It felt great.
Some days are like that-the words just seem to fly off the tips of my fingers on to the keyboard. I love days like that.
Then there are days when I grind and grind and groan and whine and nothing seems to flow and I feel terrible. Life’s like that as a writer-sometimes you get in the zone and sometimes you don’t.
On the bad days when writing anything is like torture, it is important to remain focused and not give up. When I persist during the tough times I then have the satisfaction of achieving something. Even if I only write a few hundred words I will have made progress. It’s all about maintaining that momentum.
Good writing.
The importance of a writers’ group
Ken is one of my newest readers. Yesterday he left the following comments:
One of the benefits in being part of a group of writers is to see your story in action. Many people make the mistake of reading their own work. This is kind of protecting it. One day it will have to grow up and leave home. The best approach is for someone else to read the story to the group and have them comment on it. The writer must stay right back and observe the reactions. That way you can see when people wrinkle their brows or laugh or look thoughtful. You also hear the reader stumble or read smoothly.
Sometimes we keep our stories too close to us, while they are growing up. But we write our stories to share with others. People in performance arts get direct responses from their audience. Writers can miss out on this step unless they organise to put themselves in that position.
Well said Ken.
Too often – most of the time actually – writers get far too close to their ‘babies’ to see the faults, errors and structural problems that are obvious to other readers.
This is probably THE most important lesson I have learned doing my Master of Arts in Creative Writing at Tabor Adelaide, especially under the guidance of Rosanne Hawke.
- At first I was threatened by having to share my writing in a public forum like a workshop.
- Then I felt challenged by what others were writing in response to the set activities. This lifted my own writing to a new level.
- Now I’m at the stage of actively seeking feedback from other writers and readers. Their reactions, perceptions and comments can only make me a better writer.
Isn’t that what we all strive for?
And a spin-off bonus is that our writing is improved making it more likely to be accepted for publication.
Consider being a part of a writers’ group. In Australia there are many such groups in every capital city (contact your state writers’ centre) and in many large regional centres. Even some of our smaller country towns have writers’ groups. I’m sure this is true of most other countries too.
And if you can’t find a group near where you live, start one. Even meeting regularly with just one or two like minded writers can be beneficial.
Good writing.
Writing a novel – a writer’s journal part 12 – momentum
Writing when the words flow
I just love it when the words flow quickly. There is a real delight in creating a new story and there is little struggle to get the words up there on the computer screen (or in my notebook when I am writing poetry-I rarely compose poetry on the screen).
During the last two months I’ve been through some testing times regarding my children’s novel. At first I was distracted by the requirements to finish my course work for my Master of Arts degree. That’s out of the way now thankfully. Now I can fully focus on the novel-or so I thought.
Well, that’s when life took a nasty turn. I landed up in hospital, a few days later my wife also spent time in hospital and then I was bedridden for nine days with influenza. Many weeks later I am still feeling the after effects of that. It is only in the last week that I’ve got back on track with the novel.
One of the interesting things about writing is that the more you do the quicker you get at it. If I try to do a half hour here and an hour there I lose momentum and I seem not to make much progress. When I stick at it for two or three hours every day over a week it creates its own momentum. The story often takes over and I go along for an exhilarating ride with the characters and the plot. Many times I find that when the momentum is there the story almost writes itself. That’s how I’ve felt in recent days and I get this tingly feeling and can’t wait to get back to the writing. I want to know what is going to happen next! (Sure-I do have an overall plan of the plot; it’s the nitty-gritty of each scene that needs to be written.)
An interesting by-product of this method of writing is that the creative momentum frequently develops new ideas from the subconscious mind. When the creative mind is active the subconscious mind is still at work in the background, thinking up character developments and unexpected twists in the plot. This all goes to enhance the story.
I firmly believe that if a story grabs you like this-that you as the writer can’t wait to see what happens next-then your readers will want to also keep turning the pages.
Good writing
Writing a novel – a writer’s journal part 11 – plot
Where is my story going? Some thoughts about plot
A few nights ago I had a restless time in the early hours of the morning. I had been working hard on my children’s novel. I had written 400 words in the hour or so before retiring. This had drained me emotionally and mentally. I took a while to go to sleep; the mind was too active. Several hours later I more or less woke up knowing why I had been struggling with the story.
The story was going nowhere.
Sure-I had a vague idea of some of the plot. I knew the major events that I wanted to incorporate. I roughly knew where it was going and how it would finish. I just basically didn’t know how to get there.
In a flash of inspiration-despite the fog of being only half awake-I knew what the problem was. I hadn’t asked the protagonist some fundamental questions. (Hint from one of my lecturers: if you don’t know where to go next, ‘interview’ your protagonist. Thanks, Claire)
I needed to know the following:
- What does my character need or want above all else?
- What worries my main character? What is he afraid of?
- What or who is stopping my character getting what he wants?
- How will he overcome these obstacles and who can help him?
Once I had a clear understanding of the answers to these questions, plot ideas started to suggest themselves and the story became alive. The main character started to take over and I just had to take a back seat and let him drive the story. It’s exciting when that happens.
Plotters and Pantsers
Writers tend to fall into one of two camps, plotters and pantsers.
Plotters are meticulous planners. Plotters have an idea for a story and then plan, plan, plan. The read and research their theme and topic and revel in their discoveries. They draw up story boards and plan extensive character studies. They fill note books and sticky labels with all kinds of detail. For some of them, the research and planning is far more exciting and satisfying than the actual writing. I would imagine that crime writers in particular need this approach, or there will be too many loose ends at the end of the story. A very real danger in this approach, however, is drowning in a whirlpool of information.
Pantsers are almost the complete opposite. They have a great idea and rush to their keyboard and start typing, often with little regard for planning and really just writing by the seat of their pants-hence the name ‘pantsers’. Plot? What plot? Oh-that will take care of itself as I go along. The big problem with this approach is the brick wall that the writer rushes headlong into after three or four chapters. After the initial flurry of enthusiasm and inspiration, the writer suddenly comes to a screeching halt in front of that wall-what happens next? Often they have no idea where to go with the story. They don’t have a plan. There is no plot.
There are advantages and disadvantages to both approaches. I tend to be a ‘pantser’, especially with short story writing. With the shortened forms of fiction writing one can afford this luxury. With novels it is crucial to spend more time planning, researching, plotting and doing character outlines and so on. With my current novel I am trying to do more planning and plotting as I can see the benefits of doing so. It doesn’t come easily but I’m trying.
For a good discussion on the pros and cons of these two approaches see:
For more articles in this series go to Writing a Novel – a writer’s journal.
Good writing
Writing a novel – a writer’s journal part 10
The Frustrations of the Writer’s Life
It has been a long time since my last entry in this series of articles. I have been very busy finishing off my course work for my degree. Then I had a stay in hospital followed closely by my wife having a stay in hospital too. On top of all that, I have had a very serious bout of influenza over the last three weeks with nine consecutive days in bed.
Over recent days I have managed to get back into writing my children’s novel. This will be submitted in November this year as the major part of my thesis paper. I have been getting rather stressed out by the fact that my supervising lecturer would like to see a draft copy of the manuscript by the end of July. Eeek – that’s a week away. Losing much of the last six weeks has put me way behind. I am so blessed to have a very understanding and compassionate supervisor.
Her compassion is very welcome, but the novel will not write itself. In the coming three months I will have to work very hard to get this project completed. The only way to accomplish that is to plonk myself in front of the keyboard and write, write, write. One of the additional frustrations is that I have other projects on the go. I have another two novels and four picture book texts almost ready to submit to publishers, as well as numerous short stories and poems ready to submit or enter into competitions. I need a thirty hour day and a ten day week!
One very practical solution would be to stop blogging and get back to writing the novel. It’s all a matter of application and priorities.
Good writing.
- Writing a novel – a writer’s journal – a series of articles outlining the process I went through in writing a novel.