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Book review: “The fearsome flute players”

The fearsome flute players

I don’t often write about another of my passions – birding – on this site. But I do include book reviews here. I’ve just finished reading a fascinating book about Australian Magpies, one of our most recognisable and best loved birds.

The book is called “The fearsome flute players: Australian Magpies in our lives.” This is not a scientific thesis paper; it is written in an entertaining and engaging manner, incorporating hundreds of stories of ordinary people in South Australia telling their encounters with these wonderful birds.

I won’t give a full review here but rather refer you to Trevor’s Birding, another site I write so you can read an extensive review of this book.

Special Offer:

The publisher a special offer to readers of my birding site. Mention Trevor’s Birding when you order online and you will also receive a CD of 200 photos of South Australia, including some beautiful photos of scenery and water birds.

I strongly recommend this wonderful book.

Good reading – good writing.

Australian Magpie

Studio – a journal of christians writing

Studio Journal has been publishing poetry, short stories and book reviews for over 30 years. I’ve been a subscriber for at least 20 of them and thoroughly enjoy reading every story, poem and review. Studio is published quarterly and usually runs to 36 pages (A5 size) packed with literary gemstones.

Because it is essentially a compact journal, competition to be published in it is intense. I’ve only managed to get one story published in this journal, but I should be fair to myself as I really haven’t bombarded the editors with submissions. The submissions do not have to focus on spiritual topics, though some do.  On the web page is says:

Studio is a quarterly journal publishing poetry and prose of literary merit, offering a venue for previously published, new and aspiring writers, and developing a sense of community among christians writing.

I highly recommend this fine journal. More information, including submission guidelines, can be found on the Studio website here.

Good writing.

Is patience really a virtue?

I am waiting, waiting, waiting.

I am trying to be very patient. If patience really is a virtue, I must be very virtuous indeed. You see, I’m waiting for the results of my Master of Arts Creative Writing thesis paper. Regular readers will know that over the last 18 months I’ve been writing a children’s novel set in Nepal during their recent civil war. I submitted the novel, along with a 10,000 word exegesis essay on the writing of the novel, about mid-December. We were told we might wait 6 to 8 weeks for the results. Two days ago the 9 week mark was reached, so I am trying not to get impatient. Two of my fellow students have heard their results but they submitted the week before me.

This experience has got me thinking about the patience that all writers need. Here are some of my thoughts:

Why writers need patience:

  1. Some writers need to patiently wait for writing ideas.
  2. Writers need patience when a story or novel is not going along as it should.
  3. Patience is needed when life gets in the way of writing schedules, especially if the writer has another job, or a family needing attention.
  4. You need patience when waiting to hear if a publisher is going to accept your story or novel.
  5. Once an acceptance is offered by a publisher, patience is needed when waiting to see the work in print.
  6. When a story or novel has been published, one needs patience waiting for a payment.
  7. Reading through reviews of one’s work can severely test a writer’s patience.

I’m sure most writers could add many more examples. What can you do while all the waiting is going on?

Waiting productively

  1. While waiting for a idea for a story, read, read, read and do other creative activities to stimulate the mind.
  2. While waiting to hear from a publisher, go on with other writing projects to maintain momentum with your writing.
  3. While waiting for your work to be published, be sending out more work to publishers. Keep your momentum going.
  4. Remember that waiting is inevitable and a part of the writing process. Use the waiting time productively.
  5. Don’t give up.

Good writing.

Review “The Slap” by Christos Tsiolkas

The slap

The slap

I bought this novel The Slap by acclaimed Australian author Christos Tsiolkas late last year as a  birthday present to myself. I had heard so much comment about the novel that I wanted to read it. It was also short listed for the 2009 Miles Franklin Literary Award and was winner of the 2009 Commonwealth Writers’ Prize, two more reasons for wanting to read it. There had been considerable media hype since its publication.

I resisted reading it for some weeks, keeping it on hold until our beach holiday just before Christmas.  In the few days before starting to read it, I read Tim Winton’s The Turning. I reviewed that book yesterday. I thoroughly enjoyed Winton’s collection of stories set in Western Australia and picked up The Slap with enthusiasm. I was enjoying a prolonged holiday of reading, and, at almost 500 pages, this was a work I could really lose myself in over the holiday break.

Wrong.

From the first page I was not only disappointed, I was furious, revolted, disgusted and appalled – sometimes all at the same time.

Strengths

The premise is brilliant: a group of people living in Melbourne gather for a backyard barbecue. All is going well until one of the younger children behaves abominably and one of the adults slaps him.  Trouble is – the adult is not his father. The novel is in eight parts, each told from a different person’s point of view of the same incident. Each section covers the life of the person relating the incident, the events before and after “the slap” and their reactions to the event. It affects each in various ways, and for many different reasons.

In my opinion, the only other strength of this book is the characterisation. Tsiolkas has drawn eight major characters (as well as a few minor characters) brilliantly. By the end of each section you feel that you really know the person thoroughly. In fact, you could meet any one of them at a barbecue or at the pub this weekend.

Weaknesses

From the very first page Tsiolkas sets out to shock the reader. There is frequent very coarse language, something I find very objectionable. It is also unnecessary. If it is in character, and used for the purpose of shocking the reader, then it may have a place, used occasionally. After the first two or three pages of this novel, it no longer shocks; IT IS VERY IRRITATING. And very poor writing. Couldn’t the writer think of another word?

I find the same thing in many movies and television shows these days. Otherwise brilliant films like Four Weddings and a Funeral are very much the poorer for all the coarse language. Writers: if you want to shock the viewer do it very sparingly, otherwise it no longer shocks. It is just lazy writing!

Two major themes of the novel relate to drugs and sex. It would seem to anyone from another city or country, on reading this novel, would conclude that everyone living in Melbourne is either regularly out of their brains on drugs, or out of their pants in yet another bizarre sexual activity – or both! Sure, this probably reflects the lifestyle of about 0.1% of Melbourne’s population, most of them crammed into the characters in this novel.  It occurred to me that whenever the plot was wandering, or getting weak, Tsiolkas would decide to throw in more about drugs or sex. In sections it borders on the pornographic. Again, lazy writing in my opinion. This book reads like a set of interesting, well written characters in search of a good plot!

Conclusions

This novel has been praised for the quality of the writing. It has won awards and prizes. It has sold many copies and done very well for the author.

I have read many reviews of this novel, many of them praising the book and placing it on a very high pedestal indeed, saying, in effect, there should be more high quality writing like this in Australian literature.

What rubbish!

Such reviewers wouldn’t know good literature if it bit them on the nose. If this is indicative of the fine level of Australian literature, it is a major concern. Thank goodness we have the likes of Tim Winton who writes brilliantly. I look forward to reading more of his works. I’m sure I’ll never read anything else by Tsiolkas.

Offer: Anyone want to buy a ‘read-only-once-and-never-again’ book?

Going cheap.


What I am reading: picture books

One of the units I am studying at present is called Writing for children. Our lecturer is award winning author Rosanne Hawke. In our early lectures and workshops we looked closely at how to write picture book texts. Writing this kind of book is a passion for me; I love reading them and sharing them with children – and adults.

One of the things that Rosanne impressed upon us from the very beginning was the importance of reading picture books – as many as we can get our hands on. I’ve always read plenty of picture books, first when I was a teacher librarian, and then as a classroom teacher.

When I retired from teaching four years ago I drifted away from reading picture books as regularly as I used to do. Rosanne has given me the impetus and reason for getting back into this exciting and enjoyable area of books. So once again I’ve reactivated the use of my library card and I am borrowing ten or fifteen a week to read. And I’m thoroughly enjoying the activity.

There is another incentive: we need to keep a reading log of what we are reading, as well as write some short reviews of the books we read. This is a required, assessable component of the course. It is a very enjoyable part of the course I might add.

Good writing.

Good reading.