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The importance of Writing Classes

Salisbury Writers’ Festival 2009 #2

Tom Keneally (Schindler’s Ark) was the keynote speaker on the morning I attended this year’s Salisbury Writers’ Festival. He was to speak on the topic ‘Telling a good story’ but like a many storytellers he meandered all over the place, colouring his address with some wonderful anecdotes about the writer’s life and in particular his own life as a writer.

Writing classes

Tom spoke briefly about writing classes. It sounded like he is not all that keen about writers attending such classes even though he has taught some of them himself over the years. He said that you don’t have to attend writing classes to be a writer. His main emphasis was on the importance of writing every day. Regular writing, he maintained, was the key to becoming a good writer. While I agree with him on this latter point, I still feel that attending writing classes can be very useful.

Before I commenced my studies for my Master of Arts in Creative Writing I was a disciplined writer keen to be successful. I was writing every day sometimes 4 to 5 hours daily. I had written over a million words-give or take a few tens of thousands-and had some publishing success. My studies, however, have taken my writing to a whole new level of competence.

In workshops I have had to present drafts of my writing on a regular basis. I received immediate feedback and critical analysis from both lecturers and fellow students. One quickly learns the craft of writing when your writing is constantly under scrutiny in this way. At first it was confronting, sure, but as the months rolled by I learned to welcome these critiques-provided they were honest and constructive. And all the time I could see the quality of my writing improve far beyond what I had been able to achieve previously. The quantity of my writing also improved-an added bonus.

While it may not be for everyone, I would encourage all writers-and especially beginning writers-to seek out a writing class or critique group near where they live.

Good writing.

The importance of a writers’ group

Ken is one of my newest readers. Yesterday he left the following comments:

One of the benefits in being part of a group of writers is to see your story in action. Many people make the mistake of reading their own work. This is kind of protecting it. One day it will have to grow up and leave home. The best approach is for someone else to read the story to the group and have them comment on it. The writer must stay right back and observe the reactions. That way you can see when people wrinkle their brows or laugh or look thoughtful. You also hear the reader stumble or read smoothly.

Sometimes we keep our stories too close to us, while they are growing up. But we write our stories to share with others. People in performance arts get direct responses from their audience. Writers can miss out on this step unless they organise to put themselves in that position.

Well said Ken.

Too often – most of the time actually – writers get far too close to their ‘babies’ to see the faults, errors and structural problems that are obvious to other readers.

This is probably THE most important lesson I have learned doing my Master of Arts in Creative Writing at Tabor Adelaide, especially under the guidance of Rosanne Hawke.

  • At first I was threatened by having to share my writing in a public forum like a workshop.
  • Then I felt challenged by what others were writing in response to the set activities. This lifted my own writing to a new level.
  • Now I’m at the stage of actively seeking feedback from other writers and readers. Their reactions, perceptions and comments can only make me a better writer.

Isn’t that what we all strive for?

And a spin-off bonus is that our writing is improved making it more likely to be accepted for publication.

Consider being a part of a writers’ group. In Australia there are many such groups in every capital city (contact your state writers’ centre) and in many large regional centres. Even some of our smaller country towns have writers’ groups. I’m sure this is true of most other countries too.

And if you can’t find a group near where you live, start one. Even meeting regularly with just one or two like minded writers can be beneficial.

Good writing.


Story endings

Quite often I get readers of this blog leaving questions in the comments section. That is great and I appreciate the feedback and try to help people with their writing problems.

Occasionally I also get readers leaving ideas from which I can benefit too. This is also great. Louise was one such reader today. Here is what she wrote:

You’ve just solved my problem! I have lots of short stories written – but with no ending! I get ideas for stories but then they sort of fizzle out.

Just for fun, I am going to create my own ‘final sentences’ and maybe something will click and maybe, they’ll trigger more ideas for short stories!

Thanks!

It must be a little discouraging to have lots of unfinished stories. Please, please, please don’t throw them away. They could well be the seeds of longer works later.

Another suggestion is to leave an unfinished story filed away for a few weeks or even months, then come back to it with almost “fresh” eyes and ears. You read that correctly – EARS. Read the unfinished story out loud – better yet – get someone you trust to read it to you. That story will have been ticking away in your subconscious for ages and might well be ready to mature into a complete story. The creative mind can be quite amazing at times.

Another suggestion: a commonly used technique is to ask the simple question: “What happens next?” or even “What if…?”

And how about “interviewing” your main character? You might be surprised what that character will say, or come up with.

You could also ask yourself the question: “What does the main character really want? What motivates her? How will he get what he wants? And what or who is hindering fulfilling those wants or desires? These could be triggers to get you writing again.

Hope this all helps.

Good writing.

Related article:  Short story endings


Submit your writing

‘You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you’re working on another one. If you have talent, you will receive some measure of success – but only if you persist.’

Isaac Asimov

Ouch.

This is one of my failings.

Guilty as charged.

I write, write, write and have no trouble churning out stories and poems and articles. Then they just sit quietly on my computer hard drive or as a printout in a folder. I don’t have a problem with blog posts, but when it comes to sending off my other writing to publishers or to competitions I am sadly lacking.

I think the problem stemmed from a period several years ago when I did send out quite a few pieces to various competitions and print publishers. In a very short period of time I had many dozens of rejections and not a single acceptance. I am talking about more than 30 rejections over a short space of time. It messed with my mind. I became discouraged and subsequently depressed.

I really haven’t fully recovered, which is silly I know. The only way to get published is to send out your best writing.

And when the inevitable rejections come, the story, article, poem or novel needs to go out to another potential publisher. Sometimes the piece needs rewriting, severe editing or other forms of improvement, especially if the previous editor you sent it to gives feedback along these lines. There is no other way.

Note to self: submit those manuscripts!

Note to wife (if she reads this): Yes dear, I will send them off. Promise.

Good writing.

Can writing be taught?

 ‘No-one can teach a writer how to write or how to use imagination, only life and experience can teach that, but he or she can and should be taught technique.’ Rumer Godden.

While I agree with this statement in general I do feel that many people can taught the basics of how to write. I guess that is what is meant by ‘technique.’

My response comes from many years of classroom teaching, where I took essentially illiterate children from ‘zero’ to ‘hero’ in two intensive years, or less. You can read all about my experiences here: The Power of Journal Writing – a Story of Hope.

Even people with reasonably rudimentary writing skills are able to communicate their ideas in written form. With intensive help they can improve their skills to the point of competency or even better. I’ve proved that with many of my students over the years. Sometimes it is a hard slog, but eventually the skills are developed.  Again, I guess I am talking about technique. Almost anyone can, with some effort, be taught how to string words together to form sentences, and to combine sentences to form paragraphs and put these together to make a story or article or whatever. If the student is also a reader, or exposed to good writing, this assists in this process. By reading good writing the student is exposed to how language works.

But can you teach someone how to use the imagination?

This is much harder, but I believe it is possible with most people. If the person is an avid reader this is made much easier. In the process of reading, especially fiction, the student has to use the imagination to appreciate the story. In the mind the reader can imagine that boat hurtling down the rapids,  that fierce dog barking at the intruder or that gun pointing at the head of the hero.

To use the imagination in reading a text is one thing. To develop the imagination in the mind of a writer is entirely another thing. This was where I must admit that I struggled as a teacher of writing. Some people have naturally fertile and creative imaginations, especially young children. Somewhere in the process of becoming an adult, people lose that imaginative sparkle. Keeping that sparkle alive is what every writer needs. Again, an active reading life can help.

Getting the first idea

What I have most commonly encountered is people who just cannot come up with that new idea, that first spark that will lead to a story. That is why I have developed many short story starters on this blog. Use these ideas for writing to get those creative juices flowing. Use them to inspire you to write short stories – or even a novel or two. You are free to use them however you please. Already I’ve received feedback from writers who have used them effectively in their own writing. Sometimes all you need is a small spark to get your imagination’s engine firing.

Good Writing.