A Promise of Peaches by Valerie Volk

Published in 2011 by Ginninderra Press.

A Promise of Peaches is Valerie Volk’s second book of poetry. I reviewed her first book, In Due Season a few days ago. Actually, to call this new work a book of poetry is to do this volume a disservice. It is a verse novel.

The inspiration for this novel came from Valerie’s own experience as a child, but I hasten to add that it is in no way autobiographical. It first existed as a short story. I remember when Valerie read this story which was an assignment when we were part way through our Master of Arts degree. The suggestion was to expand it into a novel. A little later I recall that our lecturer suggesting that she rewrite it as a verse novel. I think at the time Valerie claimed not to have ever read anything in this specialised genre before, but typically, Valerie threw herself into research mode and the idea grew into the book.

A Promise of Peaches traces the life of Claire, from her early memories as a young girl growing up in post-war Melbourne through to her frustrations in an aged-care facility. Her parents take in as boarders a Czech refugee couple, Viktor and Irena. The story, told in a variety of poetic forms, reveals the feelings and thoughts of each character. Each poem is short, often no more than a page or two at most, and every one sketches a poignant vignette of the inner feelings of the character. Valerie has used different, distinctive voices for each person, a difficult task for any writer and one she succeeds in achieving.

The initial excitement of the struggling post-war Australian suburban family in welcoming a couple from a totally different culture and social background is soon swamped by misunderstandings, rising tension and frustrated passions. Claire’s own innocent sexual stirrings, aided by Viktor, add to the tension and conflict. The author has skilfully woven all of these emotions into the beautiful fabric of her narrative. Her poems are often sparse, tight and understated, sharpened down to bare essentials. I particularly like the three special blues poems inserted into the text late in the writing process.

Somewhere in the night a child is crying.
Somewhere in the blackness of the night a child is crying bitter tears.
Scorching searing tears that never seem to end.

From: Claire, Blues Interlude 3 p.163

In the very next poem we read how Claire sees Viktor only once many years later. She recognises him instantly, but he doesn’t know her, nor the profound effect his actions have had on her throughout her life.

I highly recommend this verse novel, not because Valerie is a valued colleague and friend, but because it is a captivating read. Many readers have told her that they couldn’t put it down, that they read all the way through in one sitting. Even though I’d read the manuscript in several of its draft forms, I too found myself reading right through (though I admit to stopping for lunch at one stage, only because it was my turn to cook).

By the way – it’s not every day one gets to read one’s name in the acknowledgements page of a novel. Thanks for sharing the journey with me Valerie; it was fascinating.

You can buy this, and her other book online on her website: Valerie Volk

In due season: poems of love and loss

While it it is a slim book physically, one cannot say that about the poems. All the poems have an impact on the reader. One is taken on a journey through her life – of joys, delights, deep emotions, frustrations, fears and faith. It is a journey from first love to deep loss, from deep contentment to the emptiness of death.

Valerie’s poems poignantly trace the roller coaster ride she encounters in 2008 when her husband is diagnosed with cancer. Some poems hark back to the early days, from their first meeting, first passions of love and the demands of young family life. Other poems are filled with agony as she sketches in verse form the deterioration of Noel’s condition. And the final poems highlight her response to his death, the experience of feeling numb at the time of his funeral, the emptiness of their home without her love and the slow and sometimes painful climb up the mountain of normality.

‘How am I?
Hard to say. I veer between
a stoic resignation – “Wonderful,” I hear them say -
and silent screams of anguish.
Somewhere in me there’s a deep gaping hole
as if a vital part has been ripped out.’

from ‘A Kindness of Strangers’ p.59

I met Valerie during the time we were both completing our Master of Arts course. She has become a respected writing colleague and encouraging friend, one I deeply admire and whose comments on my own poems are highly valued.

Some of the poems in this volume I have a personal connection with, because Valerie presented them in writing workshops for critiquing during our studies for our degrees. One couldn’t help but be touched deeply by the grief she was enduring at the time but still she pressed on professionally.

Highly recommended reading.

Order the book on Valerie’s web site:

• Valerie Volk - you can order any of Valerie’s books on her website. You can also read about Valerie’s academic achievements as well as writing awards she has gained.

The photo (above right) is from the cover of her book. It has deep significance to Valerie – but you’ll have to read the book to find out why.

Reference:

Volk, Valerie, 2009. In due season: poems of love and loss. Pantaenus Press, Adelaide.

Cover of "Taj and the great camel trek"

Book review:

Rosanne Hawke: Taj and the great camel trek.

Published in 2011 by University of Queensland Press.

Two weeks ago I was privileged to attend the Adelaide launch of Rosanne Hawke’s latest novel. I am becoming addicted to launches of her books; this is the fourth one I’ve attended in three years. As anticipated it was a joyous time of celebration because I know how hard she has struggled with this story over the last 4 years.

The main character, twelve year old Taj, lived in Beltana in outback South Australia in the 1870s. His father is a cameleer and Taj has his own camel Mustara, a character in its own right. In fact, Taj and Mustara have featured in another Hawke book, the picture book Mustara.

Cover of "Mustara"

Taj and Mustara are invited to join explorer Ernest Giles on his second expedition  across Australia from Beltana to Port Augusta and then on to Perth in Western Australia. It is not a journey to be undertaken lightly because much of the territory they planned to cover is desert, for most part uninhabited even by local Aboriginal people. The team accompanying Giles struggle with coming to terms with the isolation, their own feelings of fear,  the harsh environmental conditions and the almost total lack of water. At times, they traversed many hundreds of miles without finding a drop of water. The whole journey has them on the very edge of disaster throughout, giving the reader a sense of the extreme hardships they endured.

While this is a novel, written as fiction and from Taj’s point of view, many of the incidents and characters are based on real events and real people taken from Giles’ own journal and the records in newspapers of the day. Taj himself is a fictitious character which points to the real strength of this book. Rosanne revealed at the launch that this book was originally conceived as non-fiction, but early on in her research and early drafts discovered that fiction was a far more powerful vehicle to tell the story. In this way the author has brought history to life for the reader, a delicate balancing act at the best of times. She has handled the transition with great skill. We see and feel the anxiety of the party through the eyes and emotions of Taj.

Highly recommended reading.

Links:

• Rosanne Hawke’s web site
• Taj and the great camel trek special page - including photos from the launch and teachers’ notes.
• Merchandise – buy T-shirts, mugs, ties, fridge magnets and many other items featuring the cover art work from the book. I am the proud owner of a Taj coffee mug which I use every day.
• Marrying Ameera - my review of Rosanne’s previous best selling novel, listed recently as a Notable Book.

Disclosure: Rosanne was my supervising lecturer when I completed my Master of Arts (Creative Writing) course recently. Apart from being a great friend and an amazing mentor, I gain nothing from promoting her books and the merchandise associated with it. Reviewing her books is just my way of saying ‘thank you, Rosanne.’

Rosanne Hawke and a friend

Vujicic, Nick, 2011. Life without limits: how to live a ridiculously good life. Crows Nest, Allen & Unwin.

This book was an impulse buy. I hadn’t set out to buy it but don’t regret for one moment having spent the money. Only the night before ‘chancing’ upon the book I had seen Nick interviewed on television. I’d seen him previously on a video shown at church. This impressive young has achieved so much in his colourful life. His testimony in his book about life, dealing with life’s challenges and the role of faith in God in all that is inspirational and one of those ‘Must Read” books.

So what makes Nick different from all those other inspirational writers?

He was born without limbs.

No arms, no legs, no worries. That’s his motto. By trusting in God – and through dogged persistence and effort on his part, he has overcome most obstacles in life – and then some. Nothing seems too hard for him. He has learned to swim – yes, without arms and legs – learned to care for himself, to surf, scuba dive, skateboard and much more.

He has learned how to become a successful international motivational speaker and preacher, how to raise heaps of money – and give it away – and how to have a zany sense of humour in all the challenges life has thrown at him. And he comes up smiling every time.

Truly humbling, amazingly inspiring.

Do yourself a favour and go out and buy this book; it will change your life.

I’ve been meaning to do this for a little while now.

Introducing Wendy Noble: reviewer, writer and speaker

I knew of Wendy through a mutual friend before I met her. The first time I did meet her was in a seminar while doing my Master of Arts course several years ago. She had almost finished her MA degree. I took an instant liking to her; warm, friendly and with a delightful sense of humour sharply honed by a few knocks in the School of Life. Her engaging personality lit up the room, and her perceptive comments about my writing, and that of my fellow students, was deply appreciated.

Wendy has recently entered the world of blogging. Her site (click here) is a delightful read about books, writing and general observations about people and life, It is an insightful commentary worth reading – even if all you want is a good laugh.

Links:

• Wendy Noble

And with a Distinction, too.

After three years of intensive, hard and sometimes frustrating work, I finally get to wear the funny hat and gown in a few months’ time.  It has been a difficult and testing time, but there have been many highlights and fun times in there as well. My final thesis paper was a 40,000 word novel for children plus a 10,000 word exegesis essay on the research, influences and processes of writing. You can read more about the process in a series of articles here. Now I start the next phase in the process; trying to find a publisher to give my precious novel a good home. This could prove to be the hardest part of all.

So what have I learned?

Doing my degree has taught me some valuable lessons:

1. Writers can always improve: no matter how much you think you know about writing, you can always get better.
2. Writing is hard work: I have put in literally thousands of hours of writing, rewriting, editing and proofreading into my essays, assignments and novel.
3. Writers need persistence: I must admit there were times when I almost gave up, when the task seemed too much or health issues intervened. By persisting I was able to finish the race.
4. Writers learn to write by writing: there is no other way. Write, write, write – and your writing skills will develop.
5. Rewriting is as important as writing the first draft: too often I have been satisfied with the attitude my first or second draft of a story or poem. Most first drafts are rubbish. My novel went through an incredible 17 drafts before I was truly happy with it.
6. Editing is a part of the creative process: I used to hate editing my stories. I found it tedious and boring. I wanted to be rid of the story and to get on with the next one. Editing is an essential part of the writing process; ignore this stage and your writing will remain mediocre – and unpublished. I still don’t love editing, but I have come to appreciate its importance.
7. Proofreading is an essential writing skill: editors and publishers are almost unanimous in their chief gripes about writers, and this one is almost always near the top of their list. If you don’t proofread your writing before sending it off to a publisher you stand a very poor chance of having the work published.

I could go on, but these seven things stand out. I probably could add patience too, because that lesson is still coming. Sure, I have had to wait a long time to get my final results, but the wait to hear from a publisher is sure to be much longer, and then the wait to hold the book in my hands may be even longer. But as they say, good things come to those who wait.

And if patience is a virtue, then I must be very virtuous.

Good writing.

Further reading:

• The importance of rewriting
• Patience is a virtue
• Good things come to those who wait
  

“Good grief.”

I heard someone use these words only a few days ago. They made me pause and consider them. Funny how those words had never before made me stop and think (well, not that I can remember). They were spoken as one of our many idioms, expressing surprise or irritation, the normal use and meaning of the expression.

What made me think, however, was the fact that this expression is something of an oxymoron, two words with contradictory meanings. When has grief ever been good? Although, I suppose in the sense that grieving leads to dealing with a loss and moving on with life it could be said to be good for you.

The point I am trying to make is that sometimes we use words in our writing which can convey the wrong ideas, communicating the wrong message to our readers. We need to be careful in the ways we use words and expressions, especially idioms and slang. Of course, the use of idioms and slang, used with discretion, can enhance our portrayal of certain characters in our stories. Overused they can become tedious. Always make every word count and make each word or phrase earn its place in your story.

Interestingly, a web search with the term “good grief” turns up about five million results. At the top of the search I did was an Australian group called “Good Grief“, an organisation dedicated to assisting people dealing with trauma, grief, loss and change.

My message today: choose your words carefully.

Good writing.

Cover - Searching for the secret river

I have recently read Kate Grenville‘s historical novel The Secret River. You can read my review here.

Straight after finishing the novel I went on to read her follow up book Searching for the Secret River.

In this second book she goes into great detail about how she researched the novel. The story is based upon the life of her great-great-great grandfather, but she took the facts gleaned from family history and extensive research both in London and in Sydney over a five year period and transformed it into fiction. She has used fact as a broad brush in the hands of her imagination and the finished novel is brilliant. It gives the reader a much clearer view of life in the early years of settlement in the young Australian colony.

Searching for the Secret River is a fascinating expose on the thinking processes of one of our leading authors. Grenville takes us on a journey from the first inklings of an idea for a book through to the finished product. At first she was planning a non fiction book but she struck so many obstacles along the way that she changed tack completely, fictionalising it and letting her imagination run. I’m pleased she did.

While she does address some of the issues faced by all writers of fiction, this is not a handbook on writing. Sure, she does explain why she changed from first to third person, but generally it was the research that so intrigued her that she recounts in the first part of the book. Throughout she grapples with her attitudes, and those of the settlers, towards the Aboriginal people who would have lived in the Sydney area during the time in which she sets her novel. She was confronted by some very unsavoury discoveries. The reader of the novel is likewise confronted by some of the events of those days. Australian history is not always the clean, lovely accounts I read as a student many years ago.

While she has drawn from actual  historical records, her novel is not another version of history. ‘I was shameless in rifling through research for anything I could use,’ she writes, ‘wrenching it out of its place and adapting it for my own purposes… What I was writing wasn’t real, but it was as true as I could make it.‘ (Grenville p. 210)  She has been criticised for her (alleged)  misuse of history. I think she has achieved what most other writers struggle with – she has made history come alive for the reader.

Reference:

• Grenville, K, 2007, Searching for the Secret River. WF Howes, Leicester.

The article “On walking and writing” is well worth reading.

Then go out and take a walk.

I would – but I’m writing this post late at night!

Good writing – and walking.

I’ve just read one that comes from a writer who lives here in South Australia. His newsletters are always worth reading – every word. In this week’s newsletter he mentions that he checked his submissions spreadsheet only to realise that he was well behind in his goal of 100 rejections. He chastised himself publicly, adding that if his writing was not out there doing the rounds of the publishers, how could he expect to get published. Good point, one I need to take serious note of as it’s been a while since I last submitted anything.

What he meant by his requisite 100 rejections he didn’t explain. Did he mean total rejections, rejections this year or what? It doesn’t really matter. The thrust of many of his newsletters is to encourage his readers to write, write, write and then submit, submit, submit. His theory – and it’s a good one – is that the more you write the better you get at this game. I agree.

The second part of his writing theory is that the more you write, the more material you have to submit to publishers. And the more you submit, the better your chances of being published become. The flip side is: if you submit nothing, that’s exactly how much you’ll get published.

Good writing – and don’t forget to submit something this week!