Red wattlebird feeding on Eremophila flowers

Gardening

Over recent days I have been spending more time out in the garden than at my computer attending to my writing. The spring weather has generally been wonderful and the spring rain a bit above average. The rain has come at about the right intervals to promote and maintain weed growth, hence the need for me to spend a great deal of time in the garden.

A big garden

Let me hasten to add that our garden is no ordinary quarter acre block common to many Australian homes. We have 5 acres (2 hectares) of land on the edge of the rural city where we live here in South Australia. It’s a challenge to look after and demands one keep on top of things.

Neglect

Sadly, the property has been quite neglected over the last 3 years while I completed my Master of Arts in Creative Writing. Now that I’ve graduated I can focus a  little more on the extras – like gardening. One of the most time consuming tasks in recent weeks has been keeping on top of the weeds. We have planted many native Australian plants – like the one being enjoyed by one of our resident birds shown in the photo above. For these plants to really thrive I need to maintain a weed free zone around them. The weeds have a habit of taking over and choking out the growth.

Weeding my novel

This time last year I was doing a different kind of weeding. I was working very long hours – sometimes 10 to 12 hours a day – trying to get my novel into shape. The novel was my thesis paper for my degree and it had to be as near to perfect as possible. I spent many tiring hours weeding out all unnecessary words, phrases and even paragraphs. Every novel, short story, poem or article needs this treatment. Make every word count, weed out every lazy, useless and careless word.

You’ll stand a much better chance of getting your writing accepted for publication.

Good writing.

I can understand that. Some history turns me off, while other aspects of history fascinate me. I guess it sometimes depends on the mood I’m in, or the particular aspect of history being discussed, read or shown on television. To many people family history is deadly boring – with and emphasis on the “dead” part.

I disagree.

Some writers complain that they have trouble coming up with ideas for stories and novels. My suggestion is to get hold of a family history book. If your family hasn’t had a family history book published, borrow someone else’s history. I have two family books; one based on my father’s side, the other on my mother’s family. Both are filled with family genealogical diagrams illustrating relationships in the broader family. They also include many interesting but rather stiff upper lip type photos which can be a little amusing today.

But I digress.

Both books contain hundreds of short accounts of the lives of people in my family. Many of these people are now dead. The accounts range from the familiar, mundane and ordinary, through to the unbelievable, adventurous and plain tragic. Take for example the account of my ancestors on my father’s side as they escaped religious persecution in their home land and migrated half way around the world to settle here in South Australia. Several members died on the boat journey out here. The story of the survivors shows great courage and drama. It’s ready made for retelling, possibly best written as fiction.

Any family history book, if it contains accounts of the lives of ordinary people, will be a fertile field ready for harvesting by a creative and imaginative writer. Troll through the book looking for that one story that captures your imagination. Then let that imagination have full rein. Let the story run its course. Don’t necessarily worry about sticking to the facts; you are writing fiction. Writers of historical fiction do this all the time; their stories are fiction based on a true story or actual event.

I hope you find a little gem of a story.

Good writing.

They are my favourite type of shop. I probably spend more time in bookshops than any other type though I should add that I rarely do our grocery shopping. So it was with great sadness yesterday that I visited our local bookshop knowing that it was closing down ths week. As part of a large chain which has been in trouble across the country recently, it was another victim of poor management at the top. The local shop was excellently run but the staff have suffered at the hands of those who should know better.

I guess that this is not an uncommon occurance in the bookshop world these days. Poor management aided by the growth of online shops has seen many shops close. Yes – I’m guilty of buying online too, but usually only books with which I am familiar. Nothing online can replace actually handling the physical object before deciding to buy. Sadly I guess I will have to gradually forego this simple pleasure as more and more bookshops close in the coming years.

What did I buy, I hear you ask? At 50% off I couldn’t resist Geraldine Brooks’ novel People of the book. Strangely, sadly ironic that that was the book I most wanted to buy (read a review here). Are our bookshops in danger of disappearing?

Research in relation to fiction is another matter, went the writer of the article. It was written from the perspective of an editor who has to deal daily with authors who often display sloppy research skills – or none at all. ‘It’s only fiction,’ they whine, ‘so it doesn’t matter if it’s not entirely accurate.’

Wrong.

One small inaccurate historical fact, one misplaced geographical detail, or an innocent cultural gaff can have readers slamming your book down in disgust or throwing it across the room. You need to get it right or your readers will rebel. You may lose a dedicated reader for life, and if you have contact details on your web site, you will get abusive emails.

The simplest of errors that can creep into a story are often innocent and not noticed by most readers. I came across a classic example recently in a novel written by a friend and a writer highly respected in her field. The story was set in the 1870s and the characters sang ‘Happy Birthday’ to the protagonist. Instantly this jarred in my mind. This song is a relatively recent composition, I thought. My research has revealed that it was first used in the early 1900s and was first published in 1912 (if my memory is correct). It became part of the popular culture decades later, much later than in the 1870s. [Note to my readers: please correct me if I'm wrong!] I know the author had done meticulous research for her novel, a fictional retelling of an historical event in Australia. This one slipped innocently under her radar – and that of her editor.

It can take just as much time to research a novel as it does to gather material for a non-fiction book, especially if you are setting your story in an unfamiliar location, time in history or culture. I found that research was crucial when writing my children’s novel set in Nepal. I’d been a visitor – a tourist – for about four weeks. Hardly enough time to absorb all the nuances needed to successfully write the story.

The opposite is also true. If you get it right you’ll have readers wanting more. That’s what we all crave, of course.

Good writing.

A Promise of Peaches by Valerie Volk

Published in 2011 by Ginninderra Press.

A Promise of Peaches is Valerie Volk’s second book of poetry. I reviewed her first book, In Due Season a few days ago. Actually, to call this new work a book of poetry is to do this volume a disservice. It is a verse novel.

The inspiration for this novel came from Valerie’s own experience as a child, but I hasten to add that it is in no way autobiographical. It first existed as a short story. I remember when Valerie read this story which was an assignment when we were part way through our Master of Arts degree. The suggestion was to expand it into a novel. A little later I recall that our lecturer suggesting that she rewrite it as a verse novel. I think at the time Valerie claimed not to have ever read anything in this specialised genre before, but typically, Valerie threw herself into research mode and the idea grew into the book.

A Promise of Peaches traces the life of Claire, from her early memories as a young girl growing up in post-war Melbourne through to her frustrations in an aged-care facility. Her parents take in as boarders a Czech refugee couple, Viktor and Irena. The story, told in a variety of poetic forms, reveals the feelings and thoughts of each character. Each poem is short, often no more than a page or two at most, and every one sketches a poignant vignette of the inner feelings of the character. Valerie has used different, distinctive voices for each person, a difficult task for any writer and one she succeeds in achieving.

The initial excitement of the struggling post-war Australian suburban family in welcoming a couple from a totally different culture and social background is soon swamped by misunderstandings, rising tension and frustrated passions. Claire’s own innocent sexual stirrings, aided by Viktor, add to the tension and conflict. The author has skilfully woven all of these emotions into the beautiful fabric of her narrative. Her poems are often sparse, tight and understated, sharpened down to bare essentials. I particularly like the three special blues poems inserted into the text late in the writing process.

Somewhere in the night a child is crying.
Somewhere in the blackness of the night a child is crying bitter tears.
Scorching searing tears that never seem to end.

From: Claire, Blues Interlude 3 p.163

In the very next poem we read how Claire sees Viktor only once many years later. She recognises him instantly, but he doesn’t know her, nor the profound effect his actions have had on her throughout her life.

I highly recommend this verse novel, not because Valerie is a valued colleague and friend, but because it is a captivating read. Many readers have told her that they couldn’t put it down, that they read all the way through in one sitting. Even though I’d read the manuscript in several of its draft forms, I too found myself reading right through (though I admit to stopping for lunch at one stage, only because it was my turn to cook).

By the way – it’s not every day one gets to read one’s name in the acknowledgements page of a novel. Thanks for sharing the journey with me Valerie; it was fascinating.

You can buy this, and her other book online on her website: Valerie Volk

Cover of "Taj and the great camel trek"

Book review:

Rosanne Hawke: Taj and the great camel trek.

Published in 2011 by University of Queensland Press.

Two weeks ago I was privileged to attend the Adelaide launch of Rosanne Hawke’s latest novel. I am becoming addicted to launches of her books; this is the fourth one I’ve attended in three years. As anticipated it was a joyous time of celebration because I know how hard she has struggled with this story over the last 4 years.

The main character, twelve year old Taj, lived in Beltana in outback South Australia in the 1870s. His father is a cameleer and Taj has his own camel Mustara, a character in its own right. In fact, Taj and Mustara have featured in another Hawke book, the picture book Mustara.

Cover of "Mustara"

Taj and Mustara are invited to join explorer Ernest Giles on his second expedition  across Australia from Beltana to Port Augusta and then on to Perth in Western Australia. It is not a journey to be undertaken lightly because much of the territory they planned to cover is desert, for most part uninhabited even by local Aboriginal people. The team accompanying Giles struggle with coming to terms with the isolation, their own feelings of fear,  the harsh environmental conditions and the almost total lack of water. At times, they traversed many hundreds of miles without finding a drop of water. The whole journey has them on the very edge of disaster throughout, giving the reader a sense of the extreme hardships they endured.

While this is a novel, written as fiction and from Taj’s point of view, many of the incidents and characters are based on real events and real people taken from Giles’ own journal and the records in newspapers of the day. Taj himself is a fictitious character which points to the real strength of this book. Rosanne revealed at the launch that this book was originally conceived as non-fiction, but early on in her research and early drafts discovered that fiction was a far more powerful vehicle to tell the story. In this way the author has brought history to life for the reader, a delicate balancing act at the best of times. She has handled the transition with great skill. We see and feel the anxiety of the party through the eyes and emotions of Taj.

Highly recommended reading.

Links:

• Rosanne Hawke’s web site
• Taj and the great camel trek special page - including photos from the launch and teachers’ notes.
• Merchandise – buy T-shirts, mugs, ties, fridge magnets and many other items featuring the cover art work from the book. I am the proud owner of a Taj coffee mug which I use every day.
• Marrying Ameera - my review of Rosanne’s previous best selling novel, listed recently as a Notable Book.

Disclosure: Rosanne was my supervising lecturer when I completed my Master of Arts (Creative Writing) course recently. Apart from being a great friend and an amazing mentor, I gain nothing from promoting her books and the merchandise associated with it. Reviewing her books is just my way of saying ‘thank you, Rosanne.’

Rosanne Hawke and a friend

“What do you think is the hardest part of any major creative project? For me and for my writing it is starting. Taking that leap of faith that your idea will work and that it is worth investing your time and energy into.” Sue Jeffrey

I’d have to agree that starting can be very daunting. It’s a bit like starting a train rolling, taking off in a plane or a moving large vehicle of any kind. Most of the energy is expended in starting. Once moving, the energy needed to keep going is vastly reduced.

Writing is very similar, but once started I find that the story builds its own momentum and carries me along with it. That’s exciting, and momentum builds its own form of energy and sustains the forward movement. I have found that to be true when writing my most recent work, a novel for children. I struggled to get the first few chapters going, but once I was several chapters into the story, it developed its own momentum, building up a head of steam that kept the wheels of my locomotive turning faster and faster until the destination was reached.

One of the interesting observations from all those who have read the whole book, including my examiners for my MA, is that the latter two thirds of the novel are far stronger than the beginning, with the exception of the first chapter. I’d agree because once I’d built that momentum the writing became progressively easier. That first chapter went through many revisions and major rewrites, so no wonder it is good.

Harder yet

While I agreed with Sue that starting a new writing project is hard, I find that rewriting and editing can often be the hardest part for me. Once I get under way I find that the story often carries me along, an enjoyable place to be. I just sit back, relax and enjoy the ride. Yes, sometimes the ride can get a little bumpy, but the thrill of discovering what happens – even when I have a strong plan and outline – outweighs any periods of momentary discomfort.

I find the necessary stages of rewriting, editing and proofreading to be tedious, mind numbing and even boring at times. I know what happens, I know the characters and I want to leave them and start something else – to go on a new adventure.

STOP.

These latter stages are terribly important, especially if one wants to see the story published. During my degree I learned to not only appreciate this vital process, but I also realised how creative editing and rewriting can be. The finished creative work is much better, stronger and publishable than that rough gemstone we call our first draft.

Still harder yet

There are three even harder elements to the creative process like writing a novel or story.

1. Deciding when the story is polished enough to send to a publisher.
2. Deciding where to send the story.
3. Waiting for a reply.

The best thing is just to get on with writing the next story or novel.

If you can only get started.

Good writing.

Further reading:

• Writing a novel – some thoughts on momentum
• More about momentum with your writing
• Editing my novel
  

I was very humbled by the comments made by both examiners. They praised the story in many ways, and both agreed that my novel is of publishable standard. After all that hard work, long hours, many frustrations and long nights of doubt, the story had come through. One of the examiners said she couldn’t put it down; she had to keep turning the pages to see what happened next. Wow! Exactly the response an author hopes for from his readers. One comment like that makes all those anguished feelings just melt away into nothing. That’s why I write.

I am preparing to send the manuscript off the prospective publishers. In the meantime I have to do a few minor revisions before having a few copies printed and bound for the university library, the humanities department and for my supervisors. Just a few typos that slipped through everyone’s keen eyes. Then I’m done. And I get to wear the gown and funny hat in a few weeks’ time. I’ll get some photos to show off here when it happens.

Stay tuned.

Good writing.

And with a Distinction, too.

After three years of intensive, hard and sometimes frustrating work, I finally get to wear the funny hat and gown in a few months’ time.  It has been a difficult and testing time, but there have been many highlights and fun times in there as well. My final thesis paper was a 40,000 word novel for children plus a 10,000 word exegesis essay on the research, influences and processes of writing. You can read more about the process in a series of articles here. Now I start the next phase in the process; trying to find a publisher to give my precious novel a good home. This could prove to be the hardest part of all.

So what have I learned?

Doing my degree has taught me some valuable lessons:

1. Writers can always improve: no matter how much you think you know about writing, you can always get better.
2. Writing is hard work: I have put in literally thousands of hours of writing, rewriting, editing and proofreading into my essays, assignments and novel.
3. Writers need persistence: I must admit there were times when I almost gave up, when the task seemed too much or health issues intervened. By persisting I was able to finish the race.
4. Writers learn to write by writing: there is no other way. Write, write, write – and your writing skills will develop.
5. Rewriting is as important as writing the first draft: too often I have been satisfied with the attitude my first or second draft of a story or poem. Most first drafts are rubbish. My novel went through an incredible 17 drafts before I was truly happy with it.
6. Editing is a part of the creative process: I used to hate editing my stories. I found it tedious and boring. I wanted to be rid of the story and to get on with the next one. Editing is an essential part of the writing process; ignore this stage and your writing will remain mediocre – and unpublished. I still don’t love editing, but I have come to appreciate its importance.
7. Proofreading is an essential writing skill: editors and publishers are almost unanimous in their chief gripes about writers, and this one is almost always near the top of their list. If you don’t proofread your writing before sending it off to a publisher you stand a very poor chance of having the work published.

I could go on, but these seven things stand out. I probably could add patience too, because that lesson is still coming. Sure, I have had to wait a long time to get my final results, but the wait to hear from a publisher is sure to be much longer, and then the wait to hold the book in my hands may be even longer. But as they say, good things come to those who wait.

And if patience is a virtue, then I must be very virtuous.

Good writing.

Further reading:

• The importance of rewriting
• Patience is a virtue
• Good things come to those who wait
  

I am trying to be very patient. If patience really is a virtue, I must be very virtuous indeed. You see, I’m waiting for the results of my Master of Arts Creative Writing thesis paper. Regular readers will know that over the last 18 months I’ve been writing a children’s novel set in Nepal during their recent civil war. I submitted the novel, along with a 10,000 word exegesis essay on the writing of the novel, about mid-December. We were told we might wait 6 to 8 weeks for the results. Two days ago the 9 week mark was reached, so I am trying not to get impatient. Two of my fellow students have heard their results but they submitted the week before me.

This experience has got me thinking about the patience that all writers need. Here are some of my thoughts:

Why writers need patience:

1. Some writers need to patiently wait for writing ideas.
2. Writers need patience when a story or novel is not going along as it should.
3. Patience is needed when life gets in the way of writing schedules, especially if the writer has another job, or a family needing attention.
4. You need patience when waiting to hear if a publisher is going to accept your story or novel.
5. Once an acceptance is offered by a publisher, patience is needed when waiting to see the work in print.
6. When a story or novel has been published, one needs patience waiting for a payment.
7. Reading through reviews of one’s work can severely test a writer’s patience.

I’m sure most writers could add many more examples. What can you do while all the waiting is going on?

Waiting productively

1. While waiting for a idea for a story, read, read, read and do other creative activities to stimulate the mind.
2. While waiting to hear from a publisher, go on with other writing projects to maintain momentum with your writing.
3. While waiting for your work to be published, be sending out more work to publishers. Keep your momentum going.
4. Remember that waiting is inevitable and a part of the writing process. Use the waiting time productively.
5. Don’t give up.

Good writing.