Archive for the 'Fiction' Category

Review: Taj and the great camel trek

Cover of "Taj and the great camel trek"

Book review:

Rosanne Hawke: Taj and the great camel trek.

Published in 2011 by University of Queensland Press.

Two weeks ago I was privileged to attend the Adelaide launch of Rosanne Hawke’s latest novel. I am becoming addicted to launches of her books; this is the fourth one I’ve attended in three years. As anticipated it was a joyous time of celebration because I know how hard she has struggled with this story over the last 4 years.

The main character, twelve year old Taj, lived in Beltana in outback South Australia in the 1870s. His father is a cameleer and Taj has his own camel Mustara, a character in its own right. In fact, Taj and Mustara have featured in another Hawke book, the picture book Mustara.

Cover of "Mustara"

Taj and Mustara are invited to join explorer Ernest Giles on his second expedition  across Australia from Beltana to Port Augusta and then on to Perth in Western Australia. It is not a journey to be undertaken lightly because much of the territory they planned to cover is desert, for most part uninhabited even by local Aboriginal people. The team accompanying Giles struggle with coming to terms with the isolation, their own feelings of fear,  the harsh environmental conditions and the almost total lack of water. At times, they traversed many hundreds of miles without finding a drop of water. The whole journey has them on the very edge of disaster throughout, giving the reader a sense of the extreme hardships they endured.

While this is a novel, written as fiction and from Taj’s point of view, many of the incidents and characters are based on real events and real people taken from Giles’ own journal and the records in newspapers of the day. Taj himself is a fictitious character which points to the real strength of this book. Rosanne revealed at the launch that this book was originally conceived as non-fiction, but early on in her research and early drafts discovered that fiction was a far more powerful vehicle to tell the story. In this way the author has brought history to life for the reader, a delicate balancing act at the best of times. She has handled the transition with great skill. We see and feel the anxiety of the party through the eyes and emotions of Taj.

Highly recommended reading.

Links:

Disclosure: Rosanne was my supervising lecturer when I completed my Master of Arts (Creative Writing) course recently. Apart from being a great friend and an amazing mentor, I gain nothing from promoting her books and the merchandise associated with it. Reviewing her books is just my way of saying ‘thank you, Rosanne.’

Rosanne Hawke and a friend

 

Writing about your childhood

I don’t get home to the farm where I grew up often enough. It’s only about a two hour drive in the country from where I now live, but I find life gets far too busy at times. A few weeks ago, however, I did have an opportunity to visit my brother on a day trip. Sure, it was only a few hours but pleasant all the same. Sadly I didn’t have time to visit the farm where I grew up, and where my nephew now lives.

While visiting my brother he showed me some photos I can’t ever remember seeing. These photos were originally on slides but John had converted them to digital images and could show them to me on his television. Many of the photos were of John’s pride and joy: his tractors. He thinks he has a photo of every tractor he ever owned – except one.

While this was interesting, what really grabbed my attention was that several of the shots showed me aged between eight and fourteen. It triggered in my mind a desire to focus a little more on writing about my childhood days. Here is a largely untapped resource of experiences that I can use in my writing. It is a deep well of interesting and colourful incidents that can only enhance my writing.

A word of caution is needed. Approaching a topic like this in a dry, journalistic way would be of interest to no-one. Except perhaps immediate family. A more creative method is required if you are interest a broader readership. This is not a problem if you are only recording your experiences as part of your family heritage.

If you do desire a wider audience for these stories, why not try rewriting your life experiences as a child (or an adult for that matter) as fiction? Take that incident with the bull when you raided a neighbour’s paddock while picking mushrooms and turn it into an exciting escapade, complete with other characters who may or may not have been a part of the original story. Turning fact into fiction can release those creative juices and you will never know where the story will end up. It will surely be a more interesting read than a dry narrative account of the facts.

You never know: one or more of these stories might end up being the text for a children’s picture book, or included in a magazine or anthology.

Good writing.

Studio – a journal of christians writing

Studio Journal has been publishing poetry, short stories and book reviews for over 30 years. I’ve been a subscriber for at least 20 of them and thoroughly enjoy reading every story, poem and review. Studio is published quarterly and usually runs to 36 pages (A5 size) packed with literary gemstones.

Because it is essentially a compact journal, competition to be published in it is intense. I’ve only managed to get one story published in this journal, but I should be fair to myself as I really haven’t bombarded the editors with submissions. The submissions do not have to focus on spiritual topics, though some do.  On the web page is says:

Studio is a quarterly journal publishing poetry and prose of literary merit, offering a venue for previously published, new and aspiring writers, and developing a sense of community among christians writing.

I highly recommend this fine journal. More information, including submission guidelines, can be found on the Studio website here.

Good writing.

Writing a novel is a marathon event

I am in the last stages of finishing my work in progress, a novel for children set in Nepal. This 40,000 word novel, and the accompanying 10,000 word exegesis essay, is the final stage of my Master of Arts in Creative Writing.

I’ve been working on the novel for over 18 months and finally it is getting near to ready to submit to examiners in the coming weeks. Then I plan to start it on its journey around the various publishing houses, so fun continues. This novel writing game is not a sprint, and more of a marathon. In fact, sometimes it feels like having to run a marathon every day.

Despite the weariness, I am pleased with the final product and I’ve learned so much along the way. With the help of my critiquing group, friends who are critical readers, and my supervising lecturers, my skills have been honed and my writing has improved way beyond what I had thought possible.

I have learned, above all, not to be precious about my words. I have learned to be ruthless and to cut anything that does not work, anything that is repetitious, redundancies, passive voice, switches in POV and many other stumbling blocks placed in the path of writers everywhere.

Must get back to the finishing touches.

Good writing.

I have “finished” writing my novel

Late last night, after about 18 months of hard labour, I finally “finished” writing my novel for children set in Nepal.

I have written “finished” in quotes because, in reality, the process is far from complete. Because this novel is my thesis paper for my Master of Arts in Creative Writing, it needs to now go to my supervising lecturers for one last look, mainly proofreading and final checking. It then goes to an independent examiner for marking. After that long process I may graduate. And then starts a whole new ball game: trying to find a publisher. That game could go on for another 18 -24 months or longer. [Sigh]

In its current form the novel is in its 10th draft. Some sections have been through more drafts than that. The final draft was essentially just proofreading on my part; very few words were changed and I found only a handful of punctuation errors – even after all those times reading through it.

The hard work doesn’t end there however. Today I focused back on my exegesis essay which must accompany the novel. In this essay I explain the origins of the story, the problems I had along the journey of writing it, some of the technical questions encountered and how I solved them and the influences on my writing from my research, reading  and studies. And its another 10,000 words, of which I’ve written about 3,500. Time to stop blabbing on here and get back to the essay.

Wish me good writing!