In due season: poems of love and loss

While it it is a slim book physically, one cannot say that about the poems. All the poems have an impact on the reader. One is taken on a journey through her life – of joys, delights, deep emotions, frustrations, fears and faith. It is a journey from first love to deep loss, from deep contentment to the emptiness of death.

Valerie’s poems poignantly trace the roller coaster ride she encounters in 2008 when her husband is diagnosed with cancer. Some poems hark back to the early days, from their first meeting, first passions of love and the demands of young family life. Other poems are filled with agony as she sketches in verse form the deterioration of Noel’s condition. And the final poems highlight her response to his death, the experience of feeling numb at the time of his funeral, the emptiness of their home without her love and the slow and sometimes painful climb up the mountain of normality.

‘How am I?
Hard to say. I veer between
a stoic resignation – “Wonderful,” I hear them say -
and silent screams of anguish.
Somewhere in me there’s a deep gaping hole
as if a vital part has been ripped out.’

from ‘A Kindness of Strangers’ p.59

I met Valerie during the time we were both completing our Master of Arts course. She has become a respected writing colleague and encouraging friend, one I deeply admire and whose comments on my own poems are highly valued.

Some of the poems in this volume I have a personal connection with, because Valerie presented them in writing workshops for critiquing during our studies for our degrees. One couldn’t help but be touched deeply by the grief she was enduring at the time but still she pressed on professionally.

Highly recommended reading.

Order the book on Valerie’s web site:

• Valerie Volk - you can order any of Valerie’s books on her website. You can also read about Valerie’s academic achievements as well as writing awards she has gained.

The photo (above right) is from the cover of her book. It has deep significance to Valerie – but you’ll have to read the book to find out why.

Reference:

Volk, Valerie, 2009. In due season: poems of love and loss. Pantaenus Press, Adelaide.

The Secret River

I’ve recently read Kate Grenville‘s novel The Secret River on the recommendation of a friend. I can’t recall if I’ve ever read any other works by this prominent Australian author, but will certainly be looking at her other books in the future.

The story begins in London and follows the story of William Thornhill, a boatman on the Thames. He is involved in a misadventure which lands him in jail and sentenced to hang. Fortunately his wife’s family has connections, and his sentence is commuted to transportation to Australia as a convict ‘for the term of his natural life.’ His wife and young family are allowed to travel on the same convict ship, but as free settlers in the new penal colony at Sydney.

The story grabs the reader as Thornhill and his family struggle to survive. After some years he gains his freedom. Through hard work and many setbacks they eventually establish a farm they think of as their own. The indigenous population see things much differently and the inevitable conflict arises. This is a dark and often tragic part of recent Australian history, the ramifications of which we are still attempting to work through.

Grenville has drawn some memorable characters, especially in Thornhill, his wife Sal and her longing to some day return home to London, and some of the minor characters living near them. Their daily endeavours are well documented, set against the ever present strangeness of the unfamiliar landscape. Grenville also carefully plots the growing problem they had with the local Darug people who had lived here at one with the environment for millennia.

Interestingly, this story was inspired by the author’s family history. Her great-great-great grandfather was Solomon Wiseman after whom Wisemans Ferry, near modern Sydney, is named. While the novel is fiction, the author has drawn heavily upon historical records of the day, including those of her family. Thus we have in the novel a blurring of the line between historical fact and an author’s imagination as expressed in the fiction of the story.

This blurring resonates with what I am attempting to do with my own work in progress, a children’s novel set in Nepal which draws on actual historical events.

The Secret River is an important work by a highly acclaimed Australian author. It has rightly won many awards, including:

• Winner, Commonwealth Writers’ Prize 2006
• Winner, NSW Premier’s Literary award 2006
• Shortlisted, Man Booker Prize, 2006.

Reference:

Grenville, K 2005. The Secret River. Text, Melbourne.

For the full list of both the winning books and the honour books click here.

Permit me a few moments of dreaming: I hope one day my name will be listed in these awards.

Okay – dream over – back to editing my novel so that someday I can be in the running.

Good writing.

Novelist David Malouf, Adelaide Writers Week 2010

Adelaide Writers’ Week 2010

On the first morning of this year’s Adelaide Writers’ Week I was suddenly struck by the importance of the opening session. The panel on stage was a who’s who of Australian literature. Chair of the session was novelist David Malouf. The keynote speaker was novelist and historian Tom Keneally. The chairman of the Writers’ Week Advisory committee was South African born but now Adelaide resident, novelist and Nobel Prize for Literature winner John Coetzee. And finally there was renowned poet Tom Shapcott, who received the honour of the whole week being dedicated to him. His latest book of poetry was launched soon after the opening.

What a line up of talented, prominent writers!

It was inspiring to be in the company of  such eminent men of letters.

Tom Keneally, Adelaide Writers Week 2010

To read more about Adelaide Writers’ Week click here.

]]> http://www.trevorhampel.com/a-talented-panel-of-writers/feed/ 0 http://www.trevorhampel.com/adelaide-writers-week-march-2010/ http://www.trevorhampel.com/adelaide-writers-week-march-2010/#comments Sun, 07 Mar 2010 11:54:42 +0000 Trevor http://www.trevorhampel.com/?p=1567

Tom Keneally opening Adelaide Writers' Week 2010

Last week I attended three days of the six day Adelaide Writers’ Week. This is an important and integral part of the Adelaide Festival of Arts held every two years. This festival attracts readers and writers from all over Australia, as well as a glittering gathering of international writers who come as guest speakers. Each day starts at 9:30am and runs until 6pm so it is quite a marathon effort for organisers and attendees as well. The sessions are all free (except for several evening sessions in the Town Hall). The sessions vary from panel discussions on writing, reading and literature through to book launches and meet-the-author opportunities.

Three large marquees are set up in the Pioneer Women’s Memorial Gardens a five minute walk from the CBD. The East Tent and the West Tent host sessions concurrently while the Book Tent is housed in another tent in between. This shop features books written only by authors present on the programme. All authors are available for book signings too.

2010 Writers' Week, Pioneer Women's Memorial Gardens, Adelaide

On the first day of the festival there was a special session to announce the winners of the Festival Awards for Literature. This was done by the Premier of South Australia, Mike Rann. In all there are ten awards ranging from plays, children’s books, non-fiction to unpublished manuscripts. The cash awards are very generous and I applaud the state government for supporting our writers in this way. May it continue.

Premier Mike Rann at Adelaide Writers' Week 2010

Further reading:

• Adelaide Writers’ Week 2010 Day 1
  

]]> http://www.trevorhampel.com/adelaide-writers-week-march-2010/feed/ 0 http://www.trevorhampel.com/review-the-slap-by-christos-tsiolkas/ http://www.trevorhampel.com/review-the-slap-by-christos-tsiolkas/#comments Tue, 16 Feb 2010 14:41:48 +0000 Trevor http://www.trevorhampel.com/?p=1494

The slap

I bought this novel The Slap by acclaimed Australian author Christos Tsiolkas late last year as a  birthday present to myself. I had heard so much comment about the novel that I wanted to read it. It was also short listed for the 2009 Miles Franklin Literary Award and was winner of the 2009 Commonwealth Writers’ Prize, two more reasons for wanting to read it. There had been considerable media hype since its publication.

I resisted reading it for some weeks, keeping it on hold until our beach holiday just before Christmas.  In the few days before starting to read it, I read Tim Winton’s The Turning. I reviewed that book yesterday. I thoroughly enjoyed Winton’s collection of stories set in Western Australia and picked up The Slap with enthusiasm. I was enjoying a prolonged holiday of reading, and, at almost 500 pages, this was a work I could really lose myself in over the holiday break.

Wrong.

From the first page I was not only disappointed, I was furious, revolted, disgusted and appalled – sometimes all at the same time.

Strengths

The premise is brilliant: a group of people living in Melbourne gather for a backyard barbecue. All is going well until one of the younger children behaves abominably and one of the adults slaps him.  Trouble is – the adult is not his father. The novel is in eight parts, each told from a different person’s point of view of the same incident. Each section covers the life of the person relating the incident, the events before and after “the slap” and their reactions to the event. It affects each in various ways, and for many different reasons.

In my opinion, the only other strength of this book is the characterisation. Tsiolkas has drawn eight major characters (as well as a few minor characters) brilliantly. By the end of each section you feel that you really know the person thoroughly. In fact, you could meet any one of them at a barbecue or at the pub this weekend.

Weaknesses

From the very first page Tsiolkas sets out to shock the reader. There is frequent very coarse language, something I find very objectionable. It is also unnecessary. If it is in character, and used for the purpose of shocking the reader, then it may have a place, used occasionally. After the first two or three pages of this novel, it no longer shocks; IT IS VERY IRRITATING. And very poor writing. Couldn’t the writer think of another word?

I find the same thing in many movies and television shows these days. Otherwise brilliant films like Four Weddings and a Funeral are very much the poorer for all the coarse language. Writers: if you want to shock the viewer do it very sparingly, otherwise it no longer shocks. It is just lazy writing!

Two major themes of the novel relate to drugs and sex. It would seem to anyone from another city or country, on reading this novel, would conclude that everyone living in Melbourne is either regularly out of their brains on drugs, or out of their pants in yet another bizarre sexual activity – or both! Sure, this probably reflects the lifestyle of about 0.1% of Melbourne’s population, most of them crammed into the characters in this novel.  It occurred to me that whenever the plot was wandering, or getting weak, Tsiolkas would decide to throw in more about drugs or sex. In sections it borders on the pornographic. Again, lazy writing in my opinion. This book reads like a set of interesting, well written characters in search of a good plot!

Conclusions

This novel has been praised for the quality of the writing. It has won awards and prizes. It has sold many copies and done very well for the author.

I have read many reviews of this novel, many of them praising the book and placing it on a very high pedestal indeed, saying, in effect, there should be more high quality writing like this in Australian literature.

What rubbish!

Such reviewers wouldn’t know good literature if it bit them on the nose. If this is indicative of the fine level of Australian literature, it is a major concern. Thank goodness we have the likes of Tim Winton who writes brilliantly. I look forward to reading more of his works. I’m sure I’ll never read anything else by Tsiolkas.

Offer: Anyone want to buy a ‘read-only-once-and-never-again’ book?

Going cheap.

Laughing Kookaburra

January 26th is Australia Day, a special day celebrating the first landing of European settlers in Sydney Cove, 1788.

The day is celebrated in many ways: family gatherings, picnics, barbecues, going to the beach,  attending sporting events or just having a lazy day in the middle of the Australian summer.

Every year for the last few years Australia Post has celebrated the event by issuing a special set of postage stamps called Australian Legends. This series of stamps features people who have made a major contribution to Australian life and culture.

This year the stamps are called Australian Legends of the written word. They highlight the works of six of our most prominent writers. The writers honoured in this way are Peter Carey, David Malouf, Colleen McCullough, Bryce Courtenay, Thomas Keneally and Tim Winton.

I think it is wonderful that our leading novelists have been honoured in this way. Writers in Australia are often overlooked for the massive contribution they have made to our culture. Each of the writers featured are truly deserving of the honour.

Where are they?

Of course, by featuring these six writers, many other well deserved writers have been overlooked. In the field of novelists another 15 to 20 worthy recipients could have been listed, including Nobel Prize winner J.M. Coetzee. Admittedly, he was born in South Africa but now resides here in my home state of South Australia. Bryce Courtenay was also born in South Africa, so here is an inconsistency in the choice of recipients.  And what of Patrick White, Helen Garner, Kate Grenville, Peter Goldsworthy, Robert Dessaix and Elizabeth Jolley? The list could go on and on. Then you have the great writers who are no longer contemporary, such as Henry Lawson and Banjo Paterson.

My major gripe however is that no poets or children’s authors are represented. Judith Wright, Les Murray, Bruce Dawe and Gwen Harwood have all had significant influences in the field of poetry. That’s just four I could name from dozens of worthy recipents.

Australian children’s authors lead the world in their field. Writers like Colin Thiele, Mem Fox, Sonya Harnett, Ivan Southall and dozens more have had or continue to have a significant impact on young readers around the world.

I guess that Australia Post had a difficult job narrowing the choice down to just six writers, but a little balance in the final six would have been nice.

Links:

• Australian Legends of the written word
• Peter Carey
• David Malouf
• Colleen McCullough
• Bryce Courtenay
• Thomas Keneally
• Tim Winton
  

I received the cheque in the mail today for the prize winning poem I entered in a recent competition. Nice to be acknowledged in a competition – and get paid for it. It has inspired me to write more poems and stories and send them off to publishers. It has also spurred me on to get the many manuscripts of books ready for sending off too. I have a nice little collection of texts for picture books and novels for children just waiting for a final edit and a cover letter.

In addition to the cheque I also received a lovely certificate as the winning poet. Nice.

Good writing.

I just received notification this morning that I have won first prize in a Literary Competition. It was for a suite of poems in sonnet form and was entered in the Traditional Rhyming Poetry section. The competition was conducted by Freexpression magazine here in Australia, though entries were received from a number of countries.

It was hard work – a labour of love I guess. But getting recognition like this is very encouraging, especially seeing some of the place getters are frequent competition winners.

And the cash prize is very nice.

Check out some of my poetry here.

Good writing.

]]> http://www.trevorhampel.com/prize-winning-poetry/feed/ 4 http://www.trevorhampel.com/playing-with-words/ http://www.trevorhampel.com/playing-with-words/#comments Wed, 24 Jan 2007 15:14:19 +0000 Trevor http://www.trevorhampel.com/playing-with-words/

The Washington Post’s Mensa Invitational once again asked readers to
take any word from the dictionary, alter it by adding, subtracting, or
changing one letter, and supply a new definition. Here are this year’s
winners. Read them carefully. Each is an artificial word with only one
letter altered to form a real word.

1. Intaxication: Euphoria at getting a tax refund, which lasts until
you realize it was your money to start with.

2. Reintarnation: Coming back to life as a hillbilly.

3. Bozone (n.): The substance surrounding stupid people that stops
bright ideas from penetrating. The bozone layer, unfortunately, shows
little sign of breaking down in the near future.

4. Cashtration (n.): The act of buying a house, which renders the
subject financially impotent for an indefinite period.

5. Giraffiti: Vandalism spray-painted very, very high.

6. Sarchasm: The gulf between the author of sarcastic wit and the
person who doesn’t get it.

7. Inoculatte: To take coffee intravenously when you are running late.

8. Hipatitis: Terminal coolness.

9. Osteopornosis: A degenerate disease. (This one got extra credit.)

10. Karmageddon: It’s like, when everybody is sending off all these
really bad vibes, right? And then, like, the Earth explodes and it’s
like, a serious bummer.

11. Decafalon (n.): The grueling event of getting through the day
consuming only things that are good for you.

12. Glibido: All talk and no action.

13. Dopeler effect: The tendency of stupid ideas to seem smarter when
they come at you rapidly.

14. Arachnoleptic fit (n.): The frantic dance performed just after
you’ve accidentally walked through a spider web.

15. Beelzebug (n.): Satan in the form of a mosquito, that gets into
your bedroom at three in the morning and cannot be cast out.

16. Caterpallor (n.): The color you turn after finding half a worm in
the fruit you’re eating.

And the pick of the lot:
17. Ignoranus: A person who’s both stupid and an a__hole.

Thanks to Desire Hendrick’s for posting this on her blog A conservancy of one: exploring the craft of writing and life.

Postscript: A few days ago I wrote about the problem of bloggers merely copying the writing of others without bothering to add any value to the original. I’ve just broken my own rules by posting this list without comment.

I really couldn’t add anything to this list.

It’s completely brilliant.

One day I may come up with a few new “words” of my own.